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WHY HIRE ME

I don't just edit stories; I understand the mechanics of how they move.

With five published novels and over a decade of experience writing feature films and television teleplays, I bring a unique "cinematic lens" to developmental editing. My background in screenwriting means I am obsessed with pacing, structure, and character momentum.

The Screenwriter’s Edge


Writing for the screen taught me the discipline of the three-act structure and the art of the "tight" plot. I spent years imitating the voices of established shows like 24 and Dollhouse, learning how to dissect exactly what makes a story work (or fail). I bring that same surgical precision to your manuscript.

When you hire me, we will focus on:

  • Architectural Structure: Ensuring your beats land exactly when they should, avoiding the "sagging middle" that loses readers.

  • Three-Dimensional Characters: Moving beyond tropes to create protagonists who feel alive, driven, and complex.

  • Engagement & Pacing: Trimming the fat and ensuring your plot is as lean and engaging as a blockbuster script.

  • Reader Retention: My goal is to ensure your book is unputdownable from the first page to the last—not just the beginning and the end.

I know how much heart goes into a manuscript because I’ve been in the trenches myself five times over. Let’s work together to give your book the professional polish and structural integrity it deserves.

Ready to get started?

I offer a free sample edit of your first chapter to ensure our styles are a good match.

If you want a free sample edit of your first chapter, email me at GregRossEditing@gmail.com.

Include your genre, word count, and a brief summary of what your book is about. 1-2 sentences or a short blurb.

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